In London a couple of weeks ago we spent a long afternoon at the Tate Modern. Well after our critical faculties were exhausted, and on our way for a cup of tea, we walked past an exhibition of Dora Maurer.
This Hungarian born artist was active behind the Iron Curtain from the 1960s and was a complete revelation to us. We bought her book and I have since spent many happy hours thumbing through it.
Her appeal, for me, is that she revelled in experimentation. It’s as if you can see her thought processes as she creates her work. Sometimes literally (scrawled pencil comments on photographs), and other times in the way that she starts with one medium and looks to recreate it with in another. (Sluices 3, A+B)
The photo above (Traces of a Circle 1974) had three of us peering at it for ages trying to work out how she did it. The book describes it as a drypoint, but we thought it looked like a collagraph. Whatever her technique, her work inspired me to play along.
With some slightly rusty wire, some tape, black ink and a base of Tetrapak, I got going. I won’t be exhibiting in the Tate anytime soon, but it’s going to be fun trying!!